ZGC Tech Team
Patricia Greene April 4 2017 08:42:43 AMMountain Lakes, New Jersey – April 3, 2017
- ZGC, the leading distributor of professional film, video and digital production and post equipment, has appointed Eric Johnston in the role of Sales, Americas effective immediately. Based out of ZGC’s New Jersey offices, his role will be to develop and grow sales opportunities in the film and broadcast sectors across North, Central and South America.
Eric brings 18 years of industry sales and product management experience to his new role. He joins ZGC after seven years with the Vitec Group, originally as Product Specialist for the OConnor accessories brand and subsequently as Strategic Account Manager for Digital Cinema and Rental Houses across seven Vitec Videocom brands. Prior to that he held senior sales and product management roles at ARRI over a five year period. He started his career in sales at Eastman Kodak. Eric is an Associate Member of the American Society of Cinematographers.
“Eric brings with him excellent technical knowledge of cameras and accessories, as well as a deep understanding of the market,” said Les Zellan, Co-Owner, ZGC. “We’re pleased to welcome Eric to the ZGC team as we continue to serve our growing customer base.”
Eric Johnston added, "ZGC has an impeccable reputation for quality and service. I am especially excited to join the company, providing our valued customers with the best tools available to advance their art and style."
Eric will join the ZGC team at NAB 2017 on Booth C5414.
# # # About ZGC
Since 1986, New Jersey based ZGC has been representing some of the leading names in products and services for film, video and digital video production and post production. ZGC was founded to serve the needs of professionals seeking one place to purchase, lease and repair, or learn how to use the equipment needed to film and produce their works of art. ZGC is proud to be the exclusive North and South American distributor for Cooke Optics, Putora Sharpness Indicator Charts, and sinaCAM. As such our staff has the greatest technical expertise on these products you’ll find anywhere. We are passionate about the film and digital production industry and are committed to delivering and providing the best possible products and services for professionals worldwide. Our services include: equipment sales, equipment leasing, technical consultation and training, and maintenance and repair. www.zgc.com
Patricia Greene February 22 2016 05:14:10 PM
ZGC, the American distributor for Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, has appointed Rich Eilers to the role of Director of Sales, effective from 29 February 2016.
Rich Eilers based at ZGC, brings the company 25 years’ TV production industry experience from working exclusively with Canon in a variety of senior sales roles. He most recently served as Canon's Director of Sales for its TV Production group, overseeing sales and relationships with the major TV networks in the United States. His vast knowledge spanning across the broadcast industry will benefit both ZGC and Cooke Optics.
Rich also was involved in the launch and establishment of the Cinema EOS business for Canon in the United States, as well as the introduction of the Canon Electronic Cinematography lenses into the United States in the early/mid 2000's. He has been the driving organizing force behind the support of major sports events for Canon including the Super Bowl and the Olympics, and is a three-time recipient of the Sports Emmy award with NBC as part of its Outstanding Tech Teams at the Beijing, Vancouver, and London Olympics.
“Rich’s knowledge of cameras and lenses for the broadcast industry is unsurpassed,” said Les Zellan, Chairman and Owner, Cooke Optics, “We are confident he will broaden our reach in the TV production sector across the Americas.”
Patricia Greene July 23 2015 11:09:37 AMZGC Inc. is proud to sponsor Alex Buono’s Visual Storytelling 2; Style & Subtext in Cinema Tour!
This all day, interactive workshop is a great opportunity to learn about visual subtext and valuable lighting and production techniques from an experienced DP, known for his dedicated work on Saturday Night Live’s Film Unit. Don’t miss this one when it comes Philadelphia PA on September 12th
and to Fairfield NJ on September 17th
. To register visit https://www.zgc.com/t/toolbox/Alex-Buono's-Visual-Storytelling-Tour-2015.html
. Don’t forget to use our discount code “AVS2ZGC
” during checkout!
Patricia Greene June 11 2015 11:15:01 AMPhileon Productions is comprised of two female producers, Sarah Philips and Laetitia Leon, who want to make a difference in the film industry. Their focus is on female-driven fare, as well as increasing the number of women in front of and behind the camera.
They recently produced Soul Song
, a musical short film set in LA. “It’s about the idea that everyone has a melody in their soul, and when you meet someone you know that if your melodies combine you’ve found someone special,” Sarah explains. “It’s the story of finding and losing your soulmate, set to music.”
DOP Olivia Kuan shot the film on an ARRI ALEXA. “I bought the ALEXA because it’s the most beautiful camera around at the moment,” she says. “It was ideal for this film as it gave a filmic look and a nice natural aesthetic to capture the romance of the story.”
Olivia and Sarah had both used Cooke lenses many times and were interested to see the miniS4/i range. “I like that ‘soft’, gentle look that Cookes give, and the combination of the ALEXA and Cooke miniS4/i lenses make a beautiful image,” says Olivia. “Also, there’s never a lack of light shooting with the ALEXA, so we would never have to open to a 2 – I usually shoot at a 4 so there’s not really a need for faster lenses.”
Sarah adds, “We watched hours of lens tests and loved all the Cookes. For me, they have an almost ‘vintage’ feel, in the best way possible – like the equivalent of music from an old recording studio. The mini/S4i’s looked amazing, and were also great for our budget.”
The film was shot in November, largely in exterior locations. “We really lucked out with the weather and lighting - we actually got three overcast days, which is unheard of in LA!” says Sarah. “We were completely prepared to be fighting the sunlight but all we really used was something to shield the actors’ eyes.”
“We captured the sky in a lot of shots,” adds Olivia. “Normally that would blow out and look flat but the mini/S4i’s diffused the light so it didn’t look so abrupt, it was very natural. We were also able to play with the colour in post because it gave us so many options, and we’re very happy with the way it came out.” Soul Song can be seen on the 2015-2016 film festival circuit www.phileonproductions.com
Patricia Greene June 3 2015 04:46:03 PM
- Award-winning lens manufacturer makes second big announcement of the year, following launch of front anamorphic zoom lens at NAB 2015 - 3 June 2015 – Cooke Optics
, the multi-award winning manufacturer of precision lenses for film and television, today announced the launch of a 65mm Macro Anamorphic/i 2x Prime lens. A prototype of the new lens will be available to view on Cooke Optics’ booth at Cine Gear 2015, and the first production lenses are expected to ship in 60 days.
The 65mm Macro anamorphic lens boasts a close-up magnification ratio of 4:1:1 and, unlike many of its competitors, has a close focus of 5.5” from the front of the lens, which is almost unheard of in an anamorphic lens. The key feature of Cooke’s macro lens is that its focus does not fall apart as it gets to macro focuses, making it ideal for close-ups and product shots.
Les Zellan, Chairman and Owner, Cooke Optics, said, “We are very proud to present the 65mm Macro anamorphic lens, which we believe will be an extremely valuable addition to our Anamorphic/i range. The development of the 65mm Macro and the recently-announced Anamorphic/i Zoom lens is testament to the hard work and dedication of our R&D team, which constantly strives to bring film makers new tools to realize their visions.”
Visitors to Booth 67 at Cine Gear 2015 can see a prototype of the new 65 mm Macro Anamorphic/i 2x Prime lens, along with Cooke’s Anamorphic/i, 5/i, S4/i, and miniS4/i lens sets.
Patricia Greene April 13 2015 08:49:25 AMLas Vegas, USA – 13 April 2015 – Cooke Optics
, the multi-award winning manufacturer of precision lenses for film and television, today announced that it is working on an Anamorphic Zoom lens. Like the rest of the Cooke Anamorphic/i Prime set, it will be a true front anamorphic lens with 2x squeeze.
Les Zellan, Chairman and Owner, Cooke Optics, said, “In the storied tradition of Cooke 5:1 and 10:1 zooms, this is the first in a series of front anamorphic zoom lenses that will complement Cooke’s set of Anamorphic/i primes lenses.”
The unveiling of the Anamorphic/i Zoom lens is the first of several expected announcements from Cooke in the coming months.
Visitors can hear more about the new Anamorphic/i Zoom lens, and see Cooke’s Anamorphic/i, 5/i, S4/i, miniS4/i prime lens sets, on Stand C8643 at NAB 2015.
Patricia Greene January 6 2015 01:45:25 PM
We are pleased to announce our new lens service location. Beginning on January 12, 2015, Guy Genin, ZGC Inc.’s Technical Director, will service lenses and other equipment in our new Florida office at:
Attn.: Guy Genin
2430 Vanderbilt Beach Rd, #390
Naples, FL 34109
Guy can be reached by calling: 973-335-4460 x215 or by email: email@example.com firstname.lastname@example.org.
ZGC Inc.’s primary Sales office will remain at 264 Morris Ave, Mountain Lakes NJ 07046. Our sales team can be reached by calling: 973-335-4460 or by email: email@example.com.
With over 30 years of experience, ZGC has the expertise to maintain and repair your professional motion picture lenses. We specialize in the service and repair of Cooke Optics lenses and do preventative maintenance and repair on some of the products we carry. Please download and fill out the Repair Request Form and email it to us at firstname.lastname@example.org. Include a copy of the form with your shipment to avoid unnecessary delays. If you have specific questions about a lens repair or service, please contact us anytime. We’re happy to help you.
Since 1986, ZGC has represented many of the leading names in products and services for film, cinema and video production. ZGC was founded to meet the needs of professionals looking for one place to buy, lease and repair, or learn how to use all types of image capture and film production equipment. We are a boutique sales and service provider who specializes in assisting our customers with individual requests. Our friendly, attentive and enthusiastic staff is only a phone call away.
Patricia Greene September 3 2014 09:33:41 AMFirst Commercial Shot In Brazil with Cooke Anamorphic Lenses
Ricardo Della Rosa, DoP ( http://o2filmes.com.br/diretores/ricardo-della-rosa), shot the first commercial with a set of Cooke Anamorphic lenses in Brazil. The SKY commercial was produced by O2. Cooke Anamorphic lenses provided by TOP 35 Locadora, in São Paulo.
Patricia Greene August 27 2014 08:44:49 AM
ZGC-Cooke Brazil Technical Assistance Services Ltd.
- Serving customers Throughout South America -
ZGC-Cooke Brazil Technical Assistance Services Ltd. located in Sao Paulo, Brazil, is open for business and serving customers throughout South America. We offer comprehensive service for Cooke Optics, Zeiss, Angenuiex and all other professional brand lenses.
Since 1986, ZGC has been representing many of the top names in products and services for film, cinema and video production. ZGC was founded to meet the needs of professionals seeking one place to purchase, lease and repair, or learn how to use the equipment needed for motion picture and cinema productions. With their expertise in servicing Cooke, Zeiss, Angenieux and all other makes and models of cinema lenses, ZGC -Cooke Brazil Technical Assistance Services is proud to serve the needs of a growing South American market.
We are confident that you will be happy working with us. Please contact Daniel Silva Carvalho by phone 55 (11) 99 465 3551 or e-mail: email@example.com to discuss your needs. We look forward to working with you.
Contact: Daniel Silva de Carvalho
55 (11) 99 465 3551
Rua Dr. Alberto Seabra, 1040
Alto de Pinheiros
Sao Paulo SP, Brazil
Patricia Greene August 21 2014 03:26:00 PMYou say your lens went swimming?
By Rich West
It happens in real time; so quickly you can only watch as that lens, which costs many thousands of dollars, plummets to the floor. An expletive escapes as you attempt to stop the lens mid-fall but, alas, you just aren’t fast enough to overcome Newton’s Law. There’s that horrible feeling in your gut as you watch the lens hit, and maybe bounce a time or two, because you know you are the responsible party: How are you going to explain what happened?
OK, look on the bright side. Maybe it’ll only be a few parts that need to be replaced. It’ll put the lens out of service for a while, but the lens will most likely go on to live another day.
Now let’s take a look at the “Dark Side”. Instead of the lens landing on the floor it lands in the drink. No, not that drink. (You know, the one you’ll probably have to calm yourself after “The Drop”). The drink I’m referring to is that body of water that covers the majority of the planet: sea water. Unlike a fresh water pond or river, sea water has an element that just doesn’t mix well with lenses. Sodium Chloride (NaCl), otherwise known in its common term as SALT. NaCl, aluminum and brass don’t go well together.
While dropping a lens into a fresh water pond or river is reason enough to cause the onslaught of anxiety, it’s generally not the end of the world. The lens can be shipped in a plastic zip-lock bag to a repair facility where technicians will dismantle the lens, clean it as they go, check for parts that may need replacing, and then reassemble the lens to factory specs. Hours of work, and maybe the cost of some parts but the lens will likely live to work again. Not too bad, considering.
On the other hand, if the lens was dropped into salt water (ocean, salt water aquarium, brine tank, etc.) more severe challenges await. The salt water must be promptly flushed from the lens or corrosion will set in. “What”, you exclaim, “Put the lens in more water?” Yes! Not only put it in fresh water, but thoroughly flush it with fresh water to try and displace as much of the salt water as possible. After doing this, seal the lens up in a zip-lock bag and immediately send it off to the repair facility with a big note providing notice of what happened and what steps you took. Delays here will only make recovery more unlikely.
Maybe, if you’re lucky, there will be minimal damage. Yes, there will probably be parts that have to be replaced, and there will be many hours of billable time for the technician to strip the lens down to individual parts, to wash each and every one of them in fresh water, and to carefully dry them so they don’t rust and/or corrode. And, again if you’re lucky, the technician will provide you with an estimate of what the charges will be to put everything back together again instead of announcing it was a total disaster and loss. Unfortunately, because of the nature of the “accident” the technician can’t provide you with a warranty on the service he’s performing. You sigh, as you realize you won’t have to buy a new lens; but if the lens was insured, you’ll probably now have to pay higher insurance rates due to the claim you file. Life goes on.
To illustrate the disastrous effect salt water has on lenses, take a look at some photos of a lens that wasn’t flushed with fresh water and wasn’t sent immediately in for disassembly and service. Not a pretty sight.
Front of lens showing sand and heavy deposits of salt
Visible are heavy deposits of caked-on salt
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Salt and sand are everywhere
Salt has had time to work on the brass
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Caked-on salt deposits
No hope for this iris
This lens was not repairable: i.e., a total loss.